Category Archives: Reading the 50 States

The Long Winter

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The winter of 1880/1881 was one of the worst winters on record in South Dakota. The Long Winter, by Laura Ingalls Wilder, is the story of her family’s experience in surviving that dreadful winter. One of the books in her Little House on the Prairie series, this book chronicles the seven months of blizzard after blizzard, the deep cold, and the terrible hunger that the citizens of DeSmet, and Laura’s family, suffered.  Even the supply train became stuck in the snow and could not bring in the desperately needed supplies.

The story of how this family and the townspeople survived is riveting and amazing. Laura’s parents were amazing with their survival skills, as the homesteaders of those days had to be. But I was inspired by their inner strength and how they encouraged that strength in their daughters. Laura was a tremendous help to them throughout that winter struggle.

However, that long long winter took a tremendous emotional toll on the family along with the physical struggle to survive. It became increasingly difficult to keep up their spirits, as the struggle to stay warm went on and endlessly on.

I couldn’t help but draw some parallels to our year+ of quarantine and isolation due to the Covid 19 pandemic. So many people have really suffered from the isolation and feeling of endless restrictions on “normal” life. Reading this book gave me a new appreciation for the resilience we find deep inside at times of intense hardship and difficulty.

For the storm was white. In the night, long after the sun had gone and the last daylight could not possibly be there, the blizzard was whirling white. A lamp could shine out through the blackest darkness and a shout could be heard a long way, but no light and no cry could reach through a storm that had wild voices and an unnatural light of its own.

“Now, girls!” Ma said. “A storm outdoors is no reason for gloom in the house.” “What good is it to be in town?” Laura said. “We’re just as much by ourselves as if there wasn’t any town.” “I hope you don’t expect to depend on anybody else, Laura.” Ma was shocked. “A body can’t do that.”

After Ma had seen them all tucked in bed and had gone downstairs, they heard and felt the blizzard strike the house. Huddled close together and shivering under the covers they listened to it. Laura thought of the lost and lonely houses, each one alone and blind and cowering in the fury of the storm. There were houses in town, but not even a light from one of them could reach another. And the town was all alone on the frozen, endless prairie, where snow drifted and winds howled and the whirling blizzard put out the stars and the sun.

Illustrations by Garth Williams.

 

I read this book as one of my 50-books-in-5-years for The Classics Club.

 

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I also chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” my effort to read books that are from or take place in each of the 50 United States. This book took place in South Dakota.

Barracoon

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Barracoon, by Zora Neale Hurston, is one of the most powerfully written books I’ve ever read.  It is the account of the life of one of the last slaves brought to America on the slave ship, the Clotilda. Hurston conducted extensive interviews with Cudjo Lewis, née Kossula, and learned the heartbreaking story of his early life in Africa, his capture and sale to the slave traders, his brutal experiences as a slave, and his life after emancipation.

As Kossula tells Hurston, he shared his life with her out of a desire to be known and remembered: “Thankee Jesus! Somebody come ast about Cudjo! I want tellee somebody who I is, so maybe dey go in de Afficky soil some day and callee my name and somebody dere say, ‘Yeah, I know Kossula.’”

from the Zora Neale Hurston website:

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past — memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

This man’s story is heart wrenching, but the book is absolutely amazing. Zora Neale Hurston told the story using of his own words, in dialect. Being familiar with her other books, I knew that my first experience with reading Barracoon should be to listen to the audiobook, then read the book. I strongly advise this way of experiencing the story. You should also know that you cannot read or listen to this story without being deeply moved, without it changing something inside you. It is such a profound testament to the resilience of the human spirit.

Hurston spent many months with Kossula, grilling him with questions and recording his long, detailed memories. They became friends, and she ends the book with their parting.

It was a very sad morning in October when I said the final goodbye, and looked back the last time at the lonely figure that stood on the edge of the cliff that fronts the highway. He had come out to the front of his place that overhangs the Cochrane Highway that leads to the bridge of that name. He wanted to see the last of me. He had saved two peaches, the last he had found on his tree, for me. When I crossed the bridge, I know he went back to his porch; to his house full of thoughts. To his memories of fat girls with ringing golden bracelets, his drums that speak the minds of men, to palm-nut cakes and bull-roarers, to his parables. I am sure that he does not fear death. In spite of his long Christian fellowship, he is too deeply a pagan to fear death. But he is full of trembling awe before the altar of the past.

“But he is full of trembling awe before the altar of the past…”

I read this book as one of my 50 books in 5 years for The Classics Club.

 

 

I also chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book took place in Alabama.

Georgia O’Keeffe in Hawaii

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Georgia O’Keeffe: Visions of Hawai’i , was an exhibition at the New York Botanical Garden of her work created during nine weeks spent in Hawai’i in 1939.  This accompanying book, edited by Joanna L. Groarke and Theresa Papanikolas, was a very interesting chronicle of O’Keeffe’s time spent there. She was hired by the Hawaiian Pineapple Company (now Dole Food Company) to visit the territory and create a series of paintings that could be used in print advertisements. During the nine weeks she spent in the islands, she created numerous paintings that were very much in her style, took many snapshots, and wrote wonderful descriptions of her experiences in letters sent home to her husband, Alfred Steiglitz.

 

Also included in this book are interesting background essays about the culture and ecology of Hawaii, and of how the territory of Hawaii was perceived in the 1930s as a tropical paradise, an “alluring fantasy.” It was all very interesting to read, as a view of Hawaii through the talent of an artist I love and through stories about what life was like at that time on the islands.

 

I read this book for my personal challenge, “WANDERLUST: Reading the States,” my effort to read books that are from or take place in each of the 50 United States. This book took place in Hawaii.

Brown Girl Dreaming

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Brown Girl Dreaming is a lovely memoir written by Jacqueline Woodson. Written completely in verse, she chronicles her growing up years in South Carolina and New York.

From the publisher:

Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.

It may seem unusual to write her story in verse, but the beauty of poetry is that a story can be told so powerfully in few words. Reading this book was a delight, and it was well-deserving of the awards and honors it won. 

  • 2014: National Book Award for Young People’s Literature
  • 2015;  Coretta Scott King Award for Authors
  • 2015:  Newbery Honor Book
  • 2015:  NAACP Image Award for Outstanding Literary Work in Young Adult Fiction
  • 2015: Robert F. Sibert Informational Book Medal

Here is an example of her beautiful and poignant way of sharing her memories with us:

“Deep winter and the night air is cold. So still,
it feels like the world goes on forever in the darkness
until you look up and the earth stops
in a ceiling of stars. My head against
my grandfather’s arm,
a blanket around us as we sit on the front porch swing.
Its whine like a song.

You don’t need words
on a night like this. Just the warmth
of your grandfather’s arm. Just the silent promise
that the world as we know it
will always be here.”

I should have read this book years ago!  It is definitely one of my favorite books read so far in 2021.

Jacqueline Woodson

I chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. Part of this book was set in South Carolina.

I also read this book as part of My Anti-Racist Education project.

 

The Call of the Wild

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I think I must have first read The Call of the Wild, by Jack London, in high school, and it’s been ages since then, so I put it on my Classics Club list and reread it. Of course, with more life experience since my first time reading it, I found it to be much more profound and powerful than I remembered. The writing is beautiful, and this story of survival is very moving.

From the publisher:

The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period when strong sled dogs were in high demand. The novel’s central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara valley of California as the story opens. Stolen from his home and sold into the brutal existence of an Alaskan sled dog, he reverts to atavistic traits. Buck is forced to adjust to, and survive, cruel treatments and fight to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and lessons he learns, to emerge as a leader in the wild.

A favorite quote (that shows the beauty of Jack London’s writing):

There is an ecstasy that marks the summit of life, and beyond which life cannot rise. And such is the paradox of living, this ecstasy comes when one is most alive, and it comes as a complete forgetfulness that one is alive.
This ecstasy, this forgetfulness of living, comes to the artist, caught up and out of himself in a sheet of flame; it comes to the soldier, war-mad in a stricken field and refusing quarter; and it came to Buck, leading the pack, sounding the old wolf-cry, straining after the food that was alive and that fled swiftly before him through the moonlight.

As I reread it, the storyline came back to me. It’s such a powerful story of survival, betrayal, loyalty, trust, the brutality of civilization and the savage beauty of nature. I remembered the cruelty and the kindness, so it had made a strong impression on me. But as I said before, with a lifetime between first reading it and now, I understand the depth of the story much better at this age. So, if you read it in high school and haven’t revisited it since then…it’s a beautifully written book that will touch your heart and leave you thinking.

I chose to read this book as one of my 50-books-in-5-years for The Classics Club.

 

 

I chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book took place in Alaska.

Bud, Not Buddy

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Bud, Not Buddy, by Christopher Paul Curtis, is an award winning book for young people. It won both the Newbery Medal and the Coretta Scott King Award. It’s a wonderful, heart-warming book, and I just wanted to take Bud (not Buddy) home with me.

“A bud is a flower-to-be. A flower-in-waiting. Waiting for just the right warmth and care to open up. It’s a little fist of love waiting to unfold and be seen by the world. And that’s you.”

— This is what Bud’s mother told him about his name, and is why he always introduces himself as “Bud, not Buddy.”

Bud is an orphan, having lost his mother four years ago, and not knowing who his father was, he was placed in an orphanage. The time was during the depression; the place was Flint, Michigan; and an orphanage during that time was a miserable place to be. After being in the orphanage, and then experiencing an abusive foster home, Bud ran away and decided to try to find out who his father was from the clues his mother left behind. He carried those clues with him everywhere in a tattered old suitcase tied up with twine.

His first stop after running away was the library. The librarian had always been very kind to him, and he knew she would understand and help him. However, he discovered that she had gotten married and moved away, but the new librarian took him underwing and helped him figure out a walking route to Grand Rapids, where he thought his father might be, based on his mother’s clues.

Shucks, this is one of the bad things about talking to librarians, I asked one question and already she had us digging through three different books.

The twists and turns of how he finally got to a destination in Grand Rapids were fun to read, and quite adventurous. It was not easy for anyone to travel during that period of time, and it was especially dangerous for a young black boy to be traveling alone. But he met some Helpers along the way, and what awaited him in Grand Rapids was a new life, but not without twists and turns first.

If you didn’t have a real good imagination you’d probably think those noises were the sounds of some kid blowing a horn for the first time, but I knew better than that. I could tell those were the squeaks and squawks of one door closing and another one opening.

In the Afterword to the book, the author, Christopher Paul Curtis, talked about how he learned about this period of time and how he based some of the characters on his own grandfathers. He had a wonderful piece of advice for his readers:

Much of what I discovered about the depression I learned through research in books, which is a shame—I didn’t take advantage of the family history that surrounded me for many years. I’m afraid that when I was younger and my grandparents and parents would start to talk about their lives during the depression, my eyes would glaze over and I’d think, “Oh, no, not those boring tall tales again!” and I’d find the most convenient excuse I could to get away from them. Now I feel a real sorrow when I think of all the knowledge, wisdom and stories that have been forever lost with the deaths of my grandparents. Be smarter than I was: Go talk to Grandma and Grandpa, Mom and Dad and other relatives and friends. Discover and remember what they have to say about what they learned growing up. By keeping their stories alive you make them, and yourself, immortal.

This is such an enjoyable book to read, especially during Black History Month, which this year focuses on families. Read it with your family, read it to your middle grade students, or read it by yourself on a snowy afternoon. It will warm your heart.

Bass Player, by La Shun Beal

Classics Club Spin, #24: The House on Mango Street

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“She thinks stories are about beauty. Beauty that is there to be admired by anyone, like a herd of clouds grazing overhead. She thinks people who are busy working for a living deserve beautiful little stories, because they don’t have much time and are often tired.”

The House on Mango Street, by Sandra Cisneros, is a beautifully written series of vignettes, very poetic and poignant, about a young Hispanic girl growing up in Chicago. These short little narratives of so many episodes in her life, create a clear view of the culture she grows up in and the struggles she faces in coming of age. It’s not an easy life, but she is one who observes closely and learns from her experiences. She is often lonely on her road to self-discovery, but is also surrounded by family and friends. She seeks beauty and a life beyond where she is growing up. And she describes it all as a poet would.

“Someday I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without my having to explain them. Until then I am a red balloon, a balloon tied to an anchor.”

The House on Mango Street was one of my choices for my 50-books-in-5-years for The Classics Club.

 

 

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 I also chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book took place in Illinois.

The Time Garden

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What Ann was thinking was that maybe this summer would turn out to be a wonderful magic one like the summer before. It had a lot of magic-seeming things in it already — parents being called away and four children sent to stay in an old house by the sea. Lots of magic adventures in books started out that way.

Many years ago, I read a fun fantasy novel for middle grade students. It was called Half Magic, by Edward Eager, and was the first in a series of books that are full of fun and magic and are a delight to read. I kept Half Magic in my class library for my sixth grade students to enjoy. Just recently, I read the 4th book in the series, and it was just as delightful. It was called The Time Garden, and had very interesting magic in it, too.

from the publisher:

But you can’t find magic just anywhere. It doesn’t grow like grass. It requires the right place and the right time . . . Or thyme, as the case may be. At Mrs. Whiton’s house, magic grows as wild as the banks of thyme in the garden. Growing there is olden time, future time, and common time. Or so says the Natterjack, the toadlike creature who accompanies the children on a series of hilarious, always unpredictable adventures. “Anything can happen,” the Natterjack says, “when you have all the time in the world.”

Four children, sent to stay with “old Mrs. Whiton” for the summer, had four amazing adventures in time. By picking a different type of Thyme from a magical Thyme garden, the children were able to travel through time to four different locations and time periods. One adventure was to visit young Louisa May Alcott because they loved the books she would eventually write! As with all the books in this series by Edward Eager, the magic is complicated and makes for an even more interesting adventure. 

It’s a sweet novel, a wonderful summer read for young or old.

I chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. The author of this book was from Ohio.

The Turning

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The Turning, by Emily Whitman, won the 2019 Eloise Jarvis McGraw Award for Children’s Literature, Oregon Book Awards. I was completely carried away with it when I read it recently and feel it was a worthy winner of this prestigious Oregon book award, as well as the Oregon Spirit Book Award, which it also won!  A coming-of-age story, beautifully written, it is highly recommended for middle-grade readers. I so enjoyed the magical aura I was immersed in while reading it. A young boy, half-human and half-selkie… where does he really belong? On land or in the sea with his selkie clan?

from the publisher:

Aran has never truly fit in with his selkie clan. He was born in his human form, without a pelt to transform him into a sleek, strong seal. Each day he waits, left behind while his selkie family explores the deep ocean. What if his pelt never comes? Does the Moon even see him? Is he putting his clan at risk?

When his mother undertakes a journey to the far north to seek help, Aran is left in the care of a reclusive human woman on remote Spindle Island. Life on land is full of more wonders–and more dangers–than Aran could have ever imagined. Soon Aran will be forced to decide: will he fight for his place on land, or return to his home in the sea?

 

I chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book was written by an author from Oregon and won two Oregon book awards.

Wanderlust: Reading the 50 States

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I am enjoying my “Wanderlust: Reading the World” ongoing personal reading project so much that I’ve decided to expand it by also reading a book from each of the 50 states. (That inspiration came from my blogging friend, Cath, at Read_Warbler.)  I’ll call it “Wanderlust: Reading the States”.  I’m not a glutton for punishment, I assure you. I’m just interested in and curious about the world around me, and these personal projects are stress-free, motivating, enjoyable, and a way of expanding my horizons. All from my favorite reading chair (on the porch again before too long, I hope!).

I decided that I wanted the two projects to run side-by-side. They are “ongoing” with no time limit and are just meant to be fun reading journeys. I’ll review most of the books I read, but not necessarily every one.  Please do check back here occasionally to see where I’ve been “traveling.”

Red: Read and reviewed
Blue: Read but not reviewed yet

23/50 States

  1. Alabama:  Barracoon, by Zora Neale Hurston
  2. Alaska:  The Call of the Wild, by Jack London
  3. Arizona:  Sing Down the Moon, by Scott O’Dell
  4. Arkansas:
  5. California:  The Red Pony, by John Steinbeck
  6. Colorado:
  7. Connecticut:  A Connecticut Yankee in King Arthur’s Court, by Mark Twain
  8. Delaware:  
  9. Florida:  One More Body in the Pool, by Ray Bradbury
  10. Georgia:  Our Time is Now, by Stacey Abrams
  11. Hawaii:  Georgia O’Keeffe: Visions of Hawai’i, edited by Joanna L. Groarke and Theresa Papanikolas
  12. Idaho
  13. Illinois:  The House on Mango Street, by Sandra Cisneros
  14. Indiana
  15. Iowa
  16. Kansas
  17. Kentucky
  18. Louisiana:  Through My Eyes, by Ruby Bridges / The Story of Ruby Bridges, by Robert Coles
  19. Maine:  The Country of the Pointed Firs, by Sarah Orne Jewett
  20. Maryland:  Kindred, by Octavia E. Butler
  21. Massachusetts:  Walking, by Henry David Thoreau
  22. Michigan:  Bud, Not Buddy, by Christopher Paul Curtis
  23. Minnesota
  24. Mississippi
  25. Missouri
  26. Montana:  A River Runs Through It, by Norman Maclean
  27. Nebraska
  28. Nevada
  29. New Hampshire
  30. New Jersey
  31. New Mexico:  Death Comes For The Archbishop, by Willa Cather
  32. New York:  Here is New York, by E.B. White
  33. North Carolina
  34. North Dakota
  35. Ohio:  The Time Garden, by Edward Eager
  36. Oklahoma
  37. Oregon:  The Turning, by Emily Whitman
  38. Pennsylvania
  39. Rhode Island
  40. South Carolina:  Brown Girl Dreaming, by Jacqueline Woodson
  41. South Dakota:  The Long Winter, by Laura Ingalls Wilder
  42. Tennessee
  43. Texas
  44. Utah
  45. Vermont:  Pollyanna, by Eleanor H. Porter
  46. Virginia
  47. Washington
  48. West Virginia
  49. Wisconsin
  50. Wyoming:  One Day At Teton Marsh, by Sally Carrighar

The Country of the Pointed Firs

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During my junior year in high school, we were required to read Sarah Orne Jewett‘s, The Country of the Pointed Firs. I remember that it was a “quiet” book, but I don’t remember much else about that reading of it. It must have struck a chord within me, though, because when I was putting together my list of 50 classics to read in 5 years for The Classics Club, I put it on my list. I’m so glad I did!

I bought both the book version and the audiobook so I could both read and listen at the same time. At first, the audiobook almost put me to sleep and I thought I wouldn’t be able to listen to that particular narrator. I was wrong. I’m so glad I listened to it because it was such an authentic reading of the book, Maine accent and all!

The Country of the Pointed Firs, written in 1896, is a series of stories, vignettes, of a small town on the coast of Maine. There isn’t much of a plot, but the vignettes are all interconnected stories of the inhabitants of the village. Through those interconnected lives, you get a real feeling for the tough gentleness of the villagers, the strength they share, and the struggles they faced with that climate and way of making a living from a rugged ocean.  With her beautiful and honest language, Jewett captured a time gone past and created a deep sense of place.

I found the book very nostalgic, quite profound in its simplicity and direct storytelling. I was most moved by the story of the brokenhearted Joanna, abandoned by the man she loved, who withdrew from the life around her and lived alone for the rest of her life on a small island off the coast. The island became her hermitage, and the townspeople watched over her from afar, respecting her decision to withdraw but helping her out in whatever little ways she would accept.

My high school self appreciated the beauty of Jewett’s writing, but my seventy-year-old self deeply appreciates so much more. It is a book that you must read slowly, you cannot be in the hurry of modern life. You must read each word, because the dialect is just as important as the story itself. And you must take the time to let the sense of place and the timeless LIFE within this book soak in.

I chose to read this book as one of my 50-books-in-5-years for The Classics Club.

 

 

I chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book took place in Maine.

Death Comes for the Archbishop

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“During those last weeks of the Bishop’s life he thought very little about death; it was the Past he was leaving. The future would take care of itself.”

Death Comes for the Archbishop is my favorite book written by Willa Cather so rereading it for my Classics Club challenge was a pleasure. It’s such a beautifully written book. It is an historical fiction, based on the life of Jean-Baptiste Lamy, who served as the first Archbishop of Santa Fe, New Mexico, and of his friend, Joseph Projectus Machebeuf.

From the publisher:

There is something epic–and almost mythic–about this sparsely beautiful novel by Willa Cather, although the story it tells is that of a single human life, lived simply in the silence of the desert. In 1851 Father Jean Marie Latour comes as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows–gently, although he must contend with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

The character of Father Latour was of a gentle, caring, intelligent and introverted man. This man’s personality was in stark contrast with the rugged western landscapes and the “wildness” of the west at that time, but he showed courage, perseverance, and kindness toward all through the experiences of his life.

But Jean, who was at ease in any society and always the flower of courtesy, could not form new ties. It had always been so. He was like a very few. To man’s wisdom it would have seemed that a priest with Father Latour’s exceptional qualities would have been better placed in some part of the world where scholarship, a handsome person, and delicate perceptions all have their effect; and that a man of much rougher type would have served God well enough as the first Bishop of New Mexico. Doubtless Bishop Latour’s successors would be men of a different fibre. But God had his reasons, Father Joseph devoutly believed. Perhaps it pleased Him to grace the beginning of a new era and a vast new diocese by a fine personality. And perhaps, after all, something would remain through the years to come: some ideal, or memory, or legend.

The stories of the Archbishop’s interactions with the Mexican and Indian peoples and their cultures were poignantly and honestly told. The political problems of both cultures with the American government were complex, but reflecting towards the end of his life, the Bishop said, “My son, I have lived to see two great wrongs righted; I have seen the end of black slavery, and I have seen the Navajos restored to their own country.”

Cather’s  descriptions of New Mexico are exquisite. She uses her words as if a painter and the visions she creates in our minds are full of color and emotion.

“The sky was as full of motion and change as the desert beneath it was monotonous and still, — and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one’s feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. The landscape one longed for when one was away, the thing all about one, the world one actually lived in, was the sky, the sky!”

I do love this work of art and the artistry of Willa Cather. Reading this book fills me with sunshine and deep emotion. I am in awe of her mastery of language.

“Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prisoned spirit of man into the wind, into the blue and gold, into the morning, into the morning!”

I read this book as one of my 50-books-in-5-years for The Classics Club. It was also a book on my list for my personal reading journey, “May Sunshine Light Your Day.”

 

I also chose this book to read for my personal challenge, “WANDERLUST: Reading the States,” an effort to read books that are from or take place in each of the 50 United States. This book took place in New Mexico.